Inspired by actual murders, and set amidst the crack trade in Philadelphia, CORNER WARS examines the modern meaning of the American Dream through the precarious lives of the dealers and users of illegal drugs. The benign concept of the after school job is rendered dangerous in this, an era in which a child is more likely to gain experience and employment with the corner crack dealer than the local shop owner. In a time of a decaying urban economy, we are presented with a Philadelphia of few choices and even less money. At least, that is what the dealers hope the locals will believe and accept as their undeniable reality.

Surely, economics do play a part. In CORNER WARS, we meet scores of folks who have been hit hard. They have turned to drugs for comfort or for commerce, and most seem to want a way out. With few options, looming violence, and ever-younger generations vying for a crate on the corner, the overall message is that drugs, the underground economy, and the ramifications of the new reality mean that there are many questions, but no solutions.

The social workers, and even the police are useless in CORNER WARS. They make appearances, in lieu of any parents, but they are ineffective or simply naïve. The kids generally have plans ranging from business school (funded by crack sales) to simply maintaining their position in the neighborhood. Here, however, the dreams are dark, and generally depressing even when fulfilled.

CORNER WARS is dank by design. Sometimes feeling like a High School play, but sincere in content, it is a powerful commentary on the lives that are youth are living in these days of indecision.